Miami Art Basel: where art reckons with technology

The Moon glowed against tufts of eerie

night clouds. A few hundred people joined Lonneke Gordijn and Ralph Nauta, the Dutch founders of Studio Drift to wait in anticipation. If the winds kicked up, the hours of work invested in their installation would be for naught, but the sea looked calm. At 10PM an illuminated pack of 300 drones rose above the Miami beach shoreline, over high-rise hotels, and traveled across the Atlantic Ocean horizon.
The work was called “Franchise Freedom” and what was most impressive about it was the impact. The drones hovered in the night sky and moved in formation. In synchronicity, they became objects of delicate beauty, like the migratory birds they mimicked. It wasn’t the technical feat to make drones fly that was interesting, but what was most striking was how the algorithm was conceptually rich.
Unlike so many art-as-tech experiences, people stuck around to marvel. For five minutes, all eyes were turned up toward the sky, as if beholding silent fireworks as classical music played from loudspeakers. There were little whoops of delight as the drones seemed to dance across the night sky. It was an effective live performance art experience.
Studio Drift defines itself as a collective that pushes boundaries on technology and nature. Shortly before the drones launched the blue chip gallerist Marc Glimcher of Pace declared this work park of a larger effort to support nontraditional works that engage technology in what he calls Future/Pace. BMW’s marquis sponsorship and support from Intel indicate that patronage is part of making these ambitious efforts possible.

Popular posts from this blog

KHUSTAI NATIONAL PARK

Эрэгтэй хүмүүсийг хамгийн ихээр бухимдуулдаг Бүсгүйчүүдийн гаргадаг тэнэг үйлдлүүд.